This program installed without any problems. I didn't have any kind of compatibility issues with mine. It was okay to configure - there was one confusing thing where you have to tell it what your inputs are, and this step wasn't clear in the manual. You have to let the program know where your audio is coming from in the Settings menu. The manual is overall okay, but again it did skip over this step.

I have a Dell computer with an Intel processor, 2 GB of RAM, and I use Windows XP and Cubase for software. Amplitube works just fine with those specs. It doesn't use that much CPU power, maybe only 5 percent which is good when you look at how powerful this software is. It also seems pretty stable, I don't think it has ever caused any crashes or other problems.

These are small diaphragm condenser mics. They are quite commonly found in pairs, so you can do stereo recording with them. They are best suited for recording, but you could use them live if you needed maybe an overhead setup or something like that. They are cardioid pattern, so they have a good amount of off-axis rejection. Since they are condenser they are well suited to applications like drums where you need quick transient response, or violins where you need a lot of high frequency detail. Since they are small diaphragm, they are even better for these kinds of applications, because it takes less air to move the capsule. They require phantom power to operate.

This plug-in installed without any problems. I didn't have any compatibility issues. The configuration is all automatic so you just install it and you can start using it after your DAW can recognize it. The manual is very thorough, so if you take the time to read it before starting up this software you should already be an expert except for hearing the effects.

I use this on my Dell computer which has an Intel processor and 2GB of ram. I also run this on windows XP and Cubase for a DAW. It works just fine in this configuration, I had no problems. I use it in the VST format, which is what most PC users will be doing as well. This plug-in actually doesn't use that much CPU power, unlike most other waves plugs. Waves tends to be known for high quality and high CPU usage. It has seemed to be very stable, I don't remember this program ever causing me any crashes or problems.

This installed without any problems for me. Waves is pretty good about having easy clear installation and setup. I didn't have any compatibility issues. The configuration is all automatic to your system. The manuals are fairly in-depth and set up in an entertaining way, I have never seen a manual with such a sense of humor. Apart from that, they are clear and easy to understand.

I have a Dell computer with an Intel processor, 2GB of ram, and windows XP with Cubase. It works great in this format. Waves has VST versions of their plug-ins, so us PC users can enjoy them as well. Waves plugs are rather CPU intensive, so you should have a fast computer if you want to use these a lot. On my computer with a dual core intel, I can multiple instances of these without too much trouble. They have bugs now and then, but overall I would say this software is pretty stable.

This installed without any problems. I had no compatibility issues on my computer. The configuration and setup was very simple and straightforward. You pretty much just click Next a bunch of times. The manual is pretty big, so there aren't really many questions that they leave unanswered. It is also clearly written and easy to read. Definitely not a throw away manual.

I have a Dell computer with an Intel processor, and I use windows XP and Cubase for this program. It works very easily since you can get it in VST format. Auto tune doesn't really use very much CPU on my computer, so I put it on all of the vocal tracks in my home studio to get the pitch right. It can be a little bit buggy I have found, and has caused a few crashes, but it's not really a major problem.

This is an analog tube preamp. There are no effects, it just basically raises the level of the input signal. It does have a couple of features that are worth mentioning though. It has phantom power, so you can use condenser mics with this as well as other types that don't require it. There is also more than one type of input on this pre. There is the normal XLR microphone input, but there's also a 1/4" input for DI instruments. There is also a switch that lets you lift the ground, so you can help to eliminate noise in that way. Then there is obviously a pot for gain control, and a balanced XLR output.

The configuration and setup of this pre is very simple. There is really not much to it - plug in the power, plug in a mic or DI isntrument and you are pretty much ready to go. Editing the sound is as simple as turning the one gain knob, and deciding if you want to lift the ground or not. The manual is very clear and sufficient, and does a good job telling you what can be done with this pre.

The sound quality of this pre is great. It definitely helps with a duller mic, because this can help bring the sound to life. Since it's a tube preamp, it will add a certain coloration to the sound of most things you put through it. There isn't that much noise unless you really crank it up. It starts to get noisy then, but you also can get a very nice tube distortion at the same time. It sounds very crunchy and baked, in a good way.

I have been using this product for about 4 months. I had my eyes on the Mackie digital controllers, but the price of those was prohibitive. I soon discovered that audio on the cheap company Behringer had a product in the same vein. I have been quite happy with this since getting it. It is very easy to install, simply connect with MIDI, set your program to recognize it, and it works very well. The manual is unfortunately not that detailed, but you can find help online if you need it. You can connect more than one of these if you want more channels. It gives you 8 faders that are motorized, and with most programs you can write the fader automation on to your song. Then when it plays back, the faders will automatically move. You can switch which tracks are controlled by which faders as well, so you are not limited in that way. There is also a pan pot for every fader, so you can assign that to control panning or other things in your DAW as well. There is a limited amount of visual feedback in terms of display on this controller, but that is part of what you lose with the hugely lower cost of this when compared to the Mackie or Tascam controllers. In terms of sensitivity, it has worked totally fine. The feel of the faders feels no different from the Mackie one, which a friend has. There are also other handy functions. You can mute and solo the tracks that are selected for the faders. You can start and stop playback with it as well. One thing I don't like is that since it's cheaper components, it's a bit less durable. One of the caps on my faders has already come loose, and while some superglue fixed it that should tell you something about the craftsmanship. For the price, you absolutely can't get a product like this cheaper, so it's a great value. I am overall happy with it, so I would get it again.

This is another microphone in the vein of the Shure SM58. There are a lot of clones of that mic on the market, and this one doesn't really stick out that much. It is a dynamic cardioid microphone. Since it's a cardioid there is good off axis rejection. It works best for close mic'ing something, especially live vocals or a guitar amp. The sound quality leaves a good amount to be desired, so you wouldn't really want to use this for recording unless this is the best you can afford. It is a rather dull mic, so vocals can sometimes have a hard time cutting through guitars and drums that could be overpowering. A useful feature of this particular mic is that it has an on/off switch right on the handle, so if you start feeding back or you just want it off during quiet passages, it's easy to do without unplugging it or running over to the mixer.